An article in the National Post of Canada, titled “The working man’s case for arts funding,” reveals some exciting news from that quiet country to the North: Canada has, politically speaking, finally reached the 1990s. Canada has at long last discovered the great golden age of the American “Culture Wars.”
According to the story’s author, John Moore:
(Prime Minister) Stephen Harper’s campaign has been all about easy points. Teens with guns; lock ‘em up. Average families (we all think we’re average); give ‘em a tax cut. Arts funding; let the sushi-eating, bow-tie-wearing snobs pay for their own meat dresses and urine-soaked crucifixes. Earlier this week, the PM took a gratuitous swipe at the arts, cleverly widening the perceived divide between “ordinary working people” and the “elites” who make their living in creative endeavours.
Ah, such warm and gentle memories this evokes in my hardened art-loving heart. Jesse Helms. The NEA Five. Piss-Christ. Pat Buchanan. Rudy Giuliani. Oh, it’s so fun to demonize the arts and terrorize artists! So much fun!
The author continues with some good points (that puts some of the blame on the artists themselves):
It’s not easy to make a case for the arts, which is precisely why they are such a ripe target. And artists don’t make it any easier. Most Canadians don’t really have a warm and fuzzy impression of Wendy Crewson or Margaret Atwood. Outside of their books, sets and performance venues, artists have a frustrating inability to connect with anyone but each other.
No, it is not easy to clarify why the arts are important to protect, nurture, and support. I’ve tried to do this for years, and I sometimes feel I’m no closer to any answers than I’ve ever been. Moore, for his part, gives the examples of Cirque du Soleil, SCTV, and a full host of Canadian art stars — all of whom received small token amounts of important governmental support when they were struggling to get established. Without such support, he suggests, these institutions that have entertained and thrilled so many people would simply not have been able to survive and thrive. Because of this, he argues, small amounts of leg-up money from the government ultimately benefits all of us, not just some untouchable elite.
It’s a tough sell, no doubt. Good luck with your wars, Canada. Having been there-done that, I don’t envy you. At the very least, however, I can say in all sincerity: “Welcome to the 90s!”